
Pairing with
perfect pitch
Meet the man behind the Pacific
Life Open’s wines
“I’m careful about what’s going into my stomach,” Tony
Terlato told me with a laugh as he prepared lunch in his
kitchen at the Vintage. “Careful” might be considered an understatement. Whether it’s the food he cooks or the wine
he pours, he gives it a loving respect that might be called perfectionist
if the word didn’t suggest tension. Terlato is not tense; he is relaxed.
But he doesn’t relax his standards.
He was preparing sautéed clams to begin with, and already the
magic aroma of garlic and a good olive oil were scenting the room,
while the sounds of opera on the sound system added to the Italian
ambience. The clams were to be followed by a pasta with tomato sauce.
Simple, but the standards still applied. For seasoning he was using a
Sicilian sea salt, his favorite (though for the pasta water he sticks with
Morton’s because he can judge exactly the proper amount: “It’s the one
I’m most comfortable with,” he explained.)
The canned tomatoes are carefully chosen too: There is an annual
selection process at the Terlato office headquarters in Chicago, when
35 different cans are lined up, opened and sampled.
The choice of brand changes from year to year. One brand, from
Sicily, was chosen three years in succession, then lost its place because
it seemed to have become a little too watery. A different brand was
selected. Once the choice is made, then that brand is ordered in quantity
and used in the Terlato kitchen for the rest of the year to ensure
consistency of quality.
But it was the choice of wines that this lunch was really about.
Terlato is chairman of the Terlato Wine Group and Paterno Wines
International.
Paterno Wines has joined the list of sponsors of the Pacific Life
Open this year and with that sponsorship comes a new focus on food
and wines at the tournament. There are going to be events with wine
and food themes throughout the championship, with a four-course
dinner on March 17, prepared by Chef Joachim Splichal, one of the
leading chefs in the country and founder of the celebrated Patina
Group of restaurants. The wines to pair with Splichal’s food will be
selected by Terlato.
Pairing wine with food is what made Terlato begin to cook.
Early in his career as a wine distributor, he told me, “We would take
our customers out to a restaurant and sometimes they didn’t have the
vintage and sometimes there was something else you wanted to taste
and they didn’t have it. Then I wanted everything cooked a particular
way, because when you’re doing a wine tasting the wine is the tenor
and the food is the chorus. But at a restaurant the food is the tenor
and the wine is the chorus.
“So I thought, ‘You know what, let’s put a little kitchen in.’ We had a room with an old table and chairs and we could seat about 15
people and we started to do bread and cheese and salamis and things
like that. We got the customers out of their stores and into our facility,
shut off the phones, created a little cave environment. It was very
good, but it started to get where it was twice a week, three times a
week. I said ‘Let’s grill a steak once in awhile, maybe I’d like to make a
little tomato sauce, a dish of pasta.’”
Cooking was new to him but once he had been shown how he
was committed. “I thought, ‘Anybody can do this!’ Now I have a book
with over 400 recipes. It’s endless what you can do, and the pastas are
endless – we have pastas that are little pouches, some that look like
cornucopia, and they all taste different – and they don’t all go with
the same sauces.
Sometimes I do these sautéed clams with pasta – but not all
pastas work equally well with it.”
That doesn’t mean the pasta isn’t good, he said. It’s just the
wrong choice so “you don’t get that wonderful clam-saucy taste.”
Waiting for the clams, around the kitchen table, we sampled a
light Fumé Blanc from Chimney Rock. It was a delicate and delightful
way to begin. You don’t start a meal with a big wine, he said. The
order of the wines should be a progression, an escalation. The Fumé
Blanc started us off perfectly.
Then, serving the clams, (redolent with garlic and perfectly
cooked), he poured a Rutherford Hill Chardonnay of which he is justifiably
proud. In 1996 Terlato became a winery owner himself and
slowly (“like turning a battleship”) he has begun to move the wines in
a direction that has resulted in the Wine Spectator scores rising from
the 80s (which is pretty good) into the 90s (which is marvelous.)
This 2002 Chardonnay had been given 90 points. If I hadn’t
known in advance what it was I would have refused to believe it was
a California Chardonnay. It was lean and minerally and I would have
guessed it to be a Chablis – my favorite among Chardonnay grape
wines.
I asked him how he pairs his wines when he’s planning a meal.
That depends on what comes first, he said.
“If I’m going to cook tonight and I know the menu, then I’ll
choose the wines to go with each course. But if I want to show off
some particular wines, then I’ll plan the meal to complement the
wines. Today the wine is the tenor.”
On the kitchen table stood a jar of hot pickles that he uses, very
delicately, as a condiment with his pasta. It’s a group product created
by friends, he said.
“Once a year, we’ll get together – five guys – and we start before
lunch. We cut up the cauliflower, the olives, the garlic, everything, we
eat and we drink wine. We all bring pots – everybody has five or six
or seven pots – and we put the oil in then we put it all in. At six or
seven we’ll put something on the grill and have a big red. Then we
take it home, let it ferment for about 10 days until the bubbles stop,
then we pack it into jars and put a vintage date on it. This is 2003’s.”
I asked him a question that has always vexed me. How do you
choose which wines to cook with? He told me a story. One night he
was giving an important dinner that was being catered by a star chef.
The chef asked him what wine he was going to be serving. It was a
rare, vintage wine that he treasured.
“If that’s what you’re going to drink that’s what we have to cook
with,” the chef declared. It made Terlato wince but when perfectionist
meets perfectionist, standards have to be upheld. The chef got his
wine but at the dinner, Terlato told his guests: “I just want you to
know my heart is in this meal.”
The bottom line? “I don’t have any cheap wine around. What
would be the reason? If I’m drinking it, I’ll cook with it. I won’t cook
with a wine I wouldn’t drink. And after all, what’s the point of using a
$5 wine with a $20 steak?” It’s an unarguable point.
We moved to the table for the pasta course.
“This pasta takes 4 minutes and 20 seconds to cook, so I need
everybody in place ready for it when it’s served,” Terlato said. He is
a stickler for pasta that’s at that exact state of al dente that is rarely
found in restaurants. But when it’s served right – as this was – then
the flavor and the texture of the pasta get their full due. With the
pasta he poured a Rutherford Hill Reserve Merlot that had been
given a 94 score by the Spectator. It sang like Caruso and the pasta
gave it a blissful choral accompaniment.
©2005 by The Desert Sun.
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